In 1984, Skynet, the supercomputer that rules a future Earth, sent a cyborg assassin, a “terminator,” back to our time. His job was to liquidate the woman who would give birth to John Connor, the leader of the underground human resistance of Skynet’s time. You with me so far? That, of course, was the plot of the first Terminator movie and for the multi-millions who saw it, the images of future machine war — of hunter-killer drones flying above a wasted landscape — are unforgettable.
Since then, as Hollywood’s special effects took off, there were two sequels during which the original terminator somehow morphed into a friendlier figure on screen, and even more miraculously, off-screen, into the humanoid governor of California. Now, the fourth film in the series, Terminator Salvation, is about to descend on us. It will hit our multiplexes this May.
Oh, sorry, I don’t mean hit hit. I mean, arrive in.
Meanwhile, hunter-killer drones haven’t waited for Hollywood. As you sit in that movie theater in May, actual unmanned aerial vehicles (UAVs), pilotless surveillance and assassination drones armed with Hellfire missiles, will be patrolling our expanding global battlefields, hunting down human beings. And in the Pentagon and the labs of defense contractors, UAV supporters are already talking about and working on next-generation machines. Post-2020, according to these dreamers, drones will be able to fly and fight, discern enemies and incinerate them without human decision-making. They’re even wondering about just how to program human ethics, maybe even American ethics, into them.
Okay, it may never happen, but it should still make you blink that out there in America are people eager to bring the fifth iteration of Terminator not to local multiplexes, but to the skies of our perfectly real world — and that the Pentagon is already funding them to do so.
An Arms Race of One
Now, keep our present drones, those MQ-1 Predators and more advanced MQ-9 Reapers, in mind for a moment. Remember that, as you read, they’re cruising Iraqi, Afghan, and Pakistani skies looking for potential “targets,” and in Pakistan’s tribal borderlands, are employing what Centcom commander General David Petraeus calls “the right of last resort” to take out “threats” (as well as tribespeople who just happen to be in the vicinity). And bear with me while I offer you a little potted history of the modern arms race.
Think of it as starting in the early years of the twentieth century when Imperial Britain, industrial juggernaut and colonial upstart Germany, and Imperial Japan all began to plan and build new generations of massive battleships or dreadnoughts (followed by “super-dreadnoughts”) and so joined in a fierce naval arms race. That race took a leap onto land and into the skies in World War I when scientists and war planners began churning out techno-marvels of death and destruction meant to break the stalemate of trench warfare on the Western front.
Each year, starting in 1915, new or improved weaponry — poison gas, upgrades of the airplane, the tank and then the improved tank — appeared on or above the battlefield. Even as those marvels arrived, the next generation of weapons was already on the drawing boards. (In a sense, American auto makers took up the same battle plan in peacetime, unveiling new, ramped up car models each year.) As a result, when World War I ended in 1918, the war machinery of 1919 and 1920 was already being mapped out and developed. The next war, that is, and the weapons that would go with it were already in the mind’s eye of war planners…
Read more at TOMDISPATCH.COM
Tom Engelhardt, co-founder of the American Empire Project, runs the Nation Institute’s TomDispatch.com. He is the author of The End of Victory Culture, a history of the American Age of Denial. He also edited The World According to TomDispatch: America in the New Age of Empire (Verso, 2008), a collection of some of the best pieces from his site and an alternative history of the mad Bush years. To catch an audio interview in which he discusses our airborne assassins, click here.
Copyright 2009 Tom Engelhardt
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