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Tag: Writing

The Faraway Nearby

May 2013

What’s your story? It’s all in the telling.

Interior Lives

May 2013

The award-winning novelist on the fluidity of sexuality, the intersections of art and selfishness, and her most recent book, The Woman Upstairs.

Mira Ptacin: Is a Baby a Luxury?

May 2013

When a chemical stick revealed that our little family was about to change, we were overjoyed. But not insured.

Another Kind of Life

May 2013

The American writer discusses turning his back on showy prose, being labelled an “erotic” author, and “the importance of being somebody.”

We Call This Progress

December 2012

From a speech at the Earth at Risk conference, Roy on the misuses of democracy and the revolutionary power of exclusion.

C.D. Wright: The Obstacle Worth Engaging

December 2012

The poet C.D. Wright discusses book-length works, the political in art, and more.

This, Desire

November 2012

Guest fiction editor Roxane Gay introduces this issue’s erotica.

It Doesn’t Mean We’re Wasting Our Time

November 2012

Reflections on a postcard from David Foster Wallace

Alexia Nader: Literary Miami

October 2012

The broad strokes of Tom Wolfe’s Back to Blood and the subtle specificity of Joan Didion’s Miami.

Katherine Paterson: The Risks of Great Literature

October 2012

Banned Books Week: The celebrated and banned children’s book author speaks with us about the fears of censors, the deaths of children, and what we need to risk for literature.

Alice Walker: Writing What’s Right

October 2012

Banned Books Week: The author of The Color Purple (and one of America’s most censured writers) tells Megan Labrise about finding wisdom in the songs of ancestors, why her acclaimed novel won’t be translated into Hebrew, and approaching writing in a priestly state of mind.

Natasha Lewis: Zadie Smith’s NW and Big Ideas

September 2012

Despite what Kakutani says, Smith’s new novel is not "Mrs. Dalloway Lite."

Alexia Nader: A Lesson from Thomas Hardy on Sex and Drama

August 2012

Character study vs. flimsy romance in Fifty Shades of Grey, Trishna,and Tess of the d’Urbervilles.

Carlos Fuentes: The Lost Interview

June 2012

A conversation recorded on the road reveals the late author’s take on the role of the writer-as-activist. Read and listen.

Andrea Jones: Brainwave on Brainwaves

May 2012

When writer Rivka Galchen and neuroscientist David Linden get together, the boundaries of science, emotion, and memory blur.

László Krasznahorkai: The Disciplined Madness

April 2012

The Hungarian writer talks terror in fiction, the aesthetic of the long sentence, his love of contemporary music, and collaborating with Allen Ginsberg.

Tom Bissell: Solitude at the Fault Line of Literary Culture

April 2012

Tom Bissell talks about the blurred line between fiction and non-fiction, ridding the world of mediocre writing, and Tommy Wiseau of The Room.

Astri von Arbin Ahlander: Interview with Sam Lipsyte

April 2012

Sam Lipsyte on being an American writer in translation and the venerable tradition of masturbation in literature.

Ondaatje’s Table

March 2012

Michael Ondaatje on making fiction of un-remembered autobiography, holding back two-thirds of the story, and bringing the marginalized to the center

The Dyer’s Hand

February 2012

Genre-defying British writer Geoff Dyer on how watching Tarkovsky’s Stalker on repeat turned into his most successful book.

Miracle Realist

November 2011

In a candid interview, the Israeli author on Netanyahu’s impotence, how his son’s death affected his latest novel, and Israel’s need to embrace Palestinians with humanity.

Fundamentals

September 2011

The author of the lauded graphic novel Blankets discusses the influences behind his new book, the effect of 9/11 on his work, and the decline of the superhero in comics.

The Sick and the Well

July 2011

Lynne Tillman discusses her latest mindfuck story collection and how social reading platforms erode the barrier between writer and reader.

Excavation

May 2011

The author Amitav Ghosh discusses the link between anthropology and writing, The New Yorker’s edit of his essay on the Iraq war, and John Updike’s worst book.

A Kind of Flag-Planting

November 2010

On the heels of her second novel and fourth work of fiction, Bender considers magic and math, craft and discipline, and the influence of other writers and artists on her work.

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