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Female Fighters Rewriting the West Boundaries of Gender Back Draft Cutting Room

On Living Inside The Story: An Interview with Salar Abdoh

By Raaza Jamshed

After Conservation: In Conversation with Dominique Bikaba

By Russell Reed

I Can Imagine It for Us: Mai Serhan on Palestine & the Politics of Storytelling

By Olivia Katrandjian

The October Issue

By The Editors

Alioune Diagne

Born in 1985 in Kaffrine, Senegal, Alioune Diagne lives and works in Senegal and France. After studying at the Dakar École des Beaux-Arts in 2008, Alioune Diagne developed an imaginary script as a universal language and intimate account of fragments of his life in Dakar and on his travels. A socially engaged artist, he opens the door to a deep-seated exploration of the major challenges facing the world today: ecology, the place of women in society, racism and the notions of transmission and heritage. His work has featured in a variety of solo and group exhibitions in Europe, Africa and Asia, including representing his country on the Senegalese pavilion at the 60th Venice Biennale, Musée des Beaux-Arts de Rouen (Ndox-Glint), Dakar Biennale, and Art Basel. He has been represented by Galerie Templon since 2022.
Poetry

Visitation

By Sylvie Kandé, translated by Nancy Naomi Carlson September 17, 2025
her face / to the cutting edge of the blade / The scar I tell you
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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