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Female Fighters Rewriting the West Boundaries of Gender Back Draft Cutting Room

On Living Inside The Story: An Interview with Salar Abdoh

By Raaza Jamshed

After Conservation: In Conversation with Dominique Bikaba

By Russell Reed

I Can Imagine It for Us: Mai Serhan on Palestine & the Politics of Storytelling

By Olivia Katrandjian

The October Issue

By The Editors

Jeneé Skinner

 Jeneé Skinner has a degree in Creative Writing and went abroad to the University of Oxford to study Renaissance Literature and the Italian Renaissance. Her work has appeared in One Story, Electric Literature, Missouri Review, and elsewhere. Additionally, she won the Michigan Quarterly Review’s Jesmyn Ward Prize and has received fellowships from Tin House Summer Workshop, Vermont Studio Center, and Hedgebrook. Previously, she was the Writing in Color Book Project Fellow for the Lighthouse Writers Workshop. Her work has been nominated for Best Microfiction, Best of the Net, and a Pushcart. She’s a graduate of the Iowa Writers’ Workshop.
Fiction

Canvases

By Jeneé Skinner May 15, 2026
If you bleed with me, it’ll hurt less.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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