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Mapping the History of Slavery in New York

By Ada Reso, Maria Robles, and Elsa Eli Waithe

Decolonize Hipsters

By Grégory Pierrot

Gina Frangello: Truth and Consequences

By Kelly Thompson

Estranged Modernisms

By Spencer Lee-Lenfield

John Sevigny

John Sevigny is a photographer, teacher, writer, and curator, who lives in Central America.
Commentary Arts & Culture

On the Passing of Robert Hughes

By John Sevigny August 8, 2012

Remembering a critic who knew there was good art and bad art, and wanted us to know the difference.

Commentary Travel & Adventure

Central America to Rome and Back Again

By John Sevigny January 31, 2012
America. Europe. Freedom. Liberation. From Mexico to the streets of El Salvador, these words make mouths water. But the reality is often more complicated than it seems.
Commentary Arts & Culture

The Center of Our Loss

By John Sevigny January 11, 2012
 What Hammond’s Fallen says about American soldier-centered mourning.
Commentary Arts & Culture

From the Grave, de Kooning Challenges the “Death of Painting”

By John Sevigny September 13, 2011
Is painting dead? The Willem de Kooning retrospective opening at New York City’s Museum of Modern Art on September 18th re-opens the debate.
Commentary Government

Open Letter to Georgia Governor Nathan Deal

By John Sevigny August 19, 2011
In protest of the illegal, immoral and cruel Georgia state law known as HB 87, Sevigny asks Deal, “What kind of Southern man are you?”
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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