“Very good,” said the man. “I am the demon who lives in this manor and I will impart to you, my guest, any truth in all the world. What is your question?”

Justin Torres's We the Animals, which has been adapted into a film, is difficult to pin down — but all the more powerful for it.

He ran his fingertips over the walls as he passed, as if it were a new wall to him and he wanted to learn about it, as if it kept him attached to earth, as if he might otherwise lift up slowly and never land again.

She knows she should say something. It’s morbid to playact death on a daily basis, but she doesn’t have the heart to put a stop to it.

I look around to see who’s missing. My eyes are adjusting. Terrible for the eyes to adjust and see that it is my father who is missing, it is my oldest brother, Tobias, and the second oldest, Ricardo, who are missing.

The critically acclaimed poet on taking risks, accepting grace, and holding the world’s pain.

i asked this of shame / be a stranger

The writer on resistance history in French Occitanie, dropping out to drop in, and cultivating spiritual presence as an artist.

The poet on his debut album—a tribute to and collaboration with his late wife, by The Interplanetary Acoustic Team—and the role of music in literary practice.

The ways that Moscow commemorates victory over Nazi Germany bear a striking resemblance to the U.S.