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An Emptiness Yet to Come

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Sad Ballad of Wyckoff

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Harvest

By Nathan Niigan Noodin Adler

Anna Bruno: Suspense, Secular Gods, and Scandal in an Elite Catholic School

Maria Kuznetsova Interviews Anna Bruno

Eileen Jimenez

Eileen's mother is Maria Cruz, her grandmother is Eloisa, and her great grandmother is Ysidora, matriarch of the Ñätho (Otomi Peoples of Michoacan/Guanajuato, Mexico). As an IndigiQueer leader, community member, educator and as an artist, everything she does and creates is influenced by her many intersecting identities and lived experiences. Eileen learned how to carve at a linocut 101 workshop in 2018 and has not stopped carving since. Eileen uses linocut and mixed-media techniques to develop her own ways of telling stories in the complex layers that they exist in, as well as to demonstrate the ways that we are connected to the Land and to each other. In her current body of work, she focuses on the embodiment of the divine that is manifested through our bodies and our hands specifically. In her work, you will also see her commitment to centering the stories of joy that flow through our communities. Eileen loves sharing what she knows about linocut and art with her community through community workshops in classrooms, museums, galleries, and community orgs.
Essay

Boca del Lobo

By Vanessa Micale August 15, 2025
We orbit violence—the gravity of it, your extraterrestrial hand in mine.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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