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An Emptiness Yet to Come

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Sad Ballad of Wyckoff

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Harvest

By Nathan Niigan Noodin Adler

Anna Bruno: Suspense, Secular Gods, and Scandal in an Elite Catholic School

Maria Kuznetsova Interviews Anna Bruno

Emanuel Admassu

Emanuel Admassu is an assistant professor at the Columbia Graduate School of Architecture, Planning and Preservation. He is a founding partner, with Jen Wood, of AD—WO, an art and architecture practice whose work was featured in Reconstructions: Architecture and Blackness in America at the Museum of Modern Art. His art, design, and teaching practices operate at the intersection of design theory, spatial justice, and contemporary African art. Admassu has taught in RISD's architecture department and Harvard's Graduate School of Design. He is the co-editor of Where is Africa, an exploration of art, representation, and Africa (CARA 2024), and a cofounding board member of the Black Reconstruction Collective.
Interview

Salome Asega: “We need to build digital brawn to ensure we will see ourselves in the future.”

By Emanuel Admassu and Salome Asega February 5, 2024
“When I make work, I ask myself, can my Ethiopian mom understand this?”
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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