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An Emptiness Yet to Come

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Sad Ballad of Wyckoff

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Harvest

By Nathan Niigan Noodin Adler

Anna Bruno: Suspense, Secular Gods, and Scandal in an Elite Catholic School

Maria Kuznetsova Interviews Anna Bruno

Enrique Pichardo

Enrique Pichardo (b. 1973, Mexico City) creates vibrant, expressive paintings that channel childlike spontaneity and emotion over rigid technique. Trained at the National School of Painting, Sculpture, and Printmaking “La Esmeralda,” he soon broke away from academic structure to embrace a freer, playful approach rooted in imagination and instinct. His practice is guided by the belief that art is not a discipline but a state of the soul, a way of existing and transforming inner visions into tangible form. Pichardo’s canvases burst with rhythm, color, and symbolic imagery, evoking both primal energy and everyday wonder. His work has been widely exhibited in Mexico City’s leading museums, including Bellas Artes, Museo Frida Kahlo, San Carlos, José Luis Cuevas, Museum of Popular Art, Dolores Olmedo, and Culturas Populares, as well as internationally across the United States, Europe, Asia, and South America, where his joyful, elemental style has attracted widespread recognition and collectors.
Interview

Anna Bruno: Suspense, Secular Gods, and Scandal in an Elite Catholic School

Maria Kuznetsova Interviews Anna Bruno September 17, 2025
The writer on creating a protagonist who feels authentically young yet insightful, transitioning to writing suspense, and tackling the Catholic church.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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