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An Emptiness Yet to Come

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Sad Ballad of Wyckoff

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Harvest

By Nathan Niigan Noodin Adler

Anna Bruno: Suspense, Secular Gods, and Scandal in an Elite Catholic School

Maria Kuznetsova Interviews Anna Bruno

Jassem Ghazbanpour

Born in 1963 in the city of Khorramshahr in southwestern Iran, Jassem Ghazbanpour began his career as a combat photographer after his native city was occupied by Saddam Hussein’s forces during the Iran-Iraq war of the 1980s. His many published books and his individual and collaborative work include The Book of Iranian Architects, Khorramshahr Martyrs & Brigade 22, Sky and Earth: Tehran Under Missile Attack, Persian Garden, Desert Storm: The War in the Persian Gulf, and A Photo ,Report On the Chemical Massacre at Halabje. Outside Iran, exhibitions of his work have been shown in France, Italy, Armenia, Indonesia, Japan and at the Asia Society in New York. His photographs have appeared in such venues as El Pais, ABC, and the Independent. Ghazbanpour lives and works in Tehran.
CommentaryPhotography Asia & Oceania

“It was as if the Taliban were still there”

Photographs by Jassem Ghazbanpour, text translated from the Persian by Salar Abdoh September 6, 2021
Photographer Jassem Ghazbanpour was in Kabul when the Taliban fled. What he saw twenty years ago feels, today, like an eerie premonition.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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