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An Emptiness Yet to Come

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Sad Ballad of Wyckoff

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Harvest

By Nathan Niigan Noodin Adler

Anna Bruno: Suspense, Secular Gods, and Scandal in an Elite Catholic School

Maria Kuznetsova Interviews Anna Bruno

Kenny Rivero

Kenny Rivero is a Dominican-American artist based in New York whose practice spans painting, collage, drawing, and sculpture. His work explores the complexity of identity through narrative images, symbolism, and language, often deconstructing Dominican American histories and reassembling them into new visual forms. Engaging themes of fractured narratives of identity, familial expectations, socio-geographic solidarity, race, and gender roles, Rivero draws on cultural influences from salsa, hip-hop, house, jazz, and merengue to Vodun and Santería traditions encountered in his upbringing. His work is held in major public collections, including the Baltimore Museum of Art, Studio Museum in Harlem, El Museo del Barrio, Whitney Museum of American Art, the Modern Art Museum of Fort Worth, Crystal Bridges Museum of American Art, and Pérez Art Museum Miami. Rivero is represented by Charles Moffett Gallery, New York, and Morán Morán, Los Angeles, and is Assistant Professor at Columbia University’s School of the Arts. Charles Moffett will present Rivero’s fourth solo exhibition with the gallery on December 12, 2025.
Poetry

The Sad Ballad of Wyckoff

By José Mármol translated by Nathalie Handal, with Eileen O’Connor September 17, 2025
Like the sea, tragedy / knows no fatigue, there is no rest in its mysteries.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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