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An Emptiness Yet to Come

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Sad Ballad of Wyckoff

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Harvest

By Nathan Niigan Noodin Adler

Anna Bruno: Suspense, Secular Gods, and Scandal in an Elite Catholic School

Maria Kuznetsova Interviews Anna Bruno

Nana Kwame Adjei-Brenyah

Nana Kwame Adjei-Brenyah is from Spring Valley, New York. He graduated from SUNY Albany and went on to receive his MFA from Syracuse University. His work has previously appeared elsewhere or is forthcoming in publications that include Compose: A Journal of Simply Good Writing, Printer’s Row, Gravel, and The Breakwater Review, where he was selected by ZZ Packer as the winner of the 2nd Annual Breakwater Review Fiction Contest. His debut story collection, Friday Black, will be published in October 2018 by Mariner Books. 
Fiction Family & RelationshipsTechnology & the Future

The Era

By Nana Kwame Adjei-Brenyah April 2, 2018
I take the empty injector and bring it to my neck. I hit the trigger and stab and hope maybe I’ll get something. I hit the trigger again.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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