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An Emptiness Yet to Come

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Sad Ballad of Wyckoff

By José Mármol translated by Nathalie Handal, with Eileen O’Connor

The Harvest

By Nathan Niigan Noodin Adler

Anna Bruno: Suspense, Secular Gods, and Scandal in an Elite Catholic School

Maria Kuznetsova Interviews Anna Bruno

Shayna Rosendorff

Shayna Rosendorff is a Johannesburg based Artist and Researcher, a recent Fine Arts graduate from the University of the Witwatersrand; her work focuses on the politics of the representation of land and landscape in South Africa. With a specific focus in mining, she uses the aesthetic impact of the mining industry to unpack a much deeper violence that becomes a part of the everyday. She has exhibited in numerous exhibitions and her work sits in various collections. In early 2021 she completed an 18-month collaboration with BMW Group South Africa, producing work for their Head Offices in South Africa as one of the winners of their student art project in collaboration with Wits University. Shayna also runs a collective called @overheard_in_the_gallery that documents comments made in gallery spaces that demonstrates the underlying social, political, and economic factors that come into play in the visiting of a gallery space.
Interview Arts & Culture

Shayna Rosendorff: What Lies Beneath

By Vasna Ramasar, Theo Aalders, and Shayna Rosendorff October 11, 2021
Revealing the degradation and extraction that maps conceal.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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