Tino Perdić (b. 1977, Split, Croatia) is a self-taught visual artist and a member of the Croatian Association of Visual Artists (HULU Split), a national body primarily comprising academically trained artists. His latest body of work, the Liberalism series, represents an expanded and logical continuation of his ongoing exploration of the post-religious world, placing humanity and its existential questions at the center. In a broad sense, his work functions as a form of thought experiment—an attempt to articulate the contemporary human condition and capture the unspoken, often overlooked spirit of the times. While his pieces may appear critical, they are intended as documentary in nature: observational rather than judgmental. Perdić approaches art as a means to catalog and interpret human experience, much like names describe objects without altering their essence. His work seeks to reveal what lies obscured beneath collective subjectivity, avoiding binary interpretations in favor of deeper, more nuanced insight.