Although I grew up and spent most of my photographic career in Israel, I felt I did not truly know or understand its Arab society—over a fifth of the population consisting of hundreds of thousands of families who stayed within Israel’s borders after it was established in 1948. This large minority, which is currently experiencing a challenging identity crisis, has been somewhat forgotten amidst the Israeli-Palestinian conflict. In a highly political environment I became interested in the stories of these people living as a minority in a country defined by its majority’s religion.

I aim to confront and dispute the widespread misconceptions and stereotypes of the people within my own country who I was brought up to consider more as foes rather than as allies. I decided to focus on Arab men and women at the age of eighteen, a crucial turning point in their lives, when they complete school, become legal adults, and earn the right to vote. Yet unlike their Jewish peers, most do not join the military. By photographing and portraying my so-called “enemy,” I hope to highlight the impact that cultural and internal conflict have had on these young people, personally and collectively.

I chose to photograph my subjects in their close surroundings wishing to present the pictures with a sense of place and attempting to reveal the social context within which they live. The essence of the intimate environmental portraits does not lie in their aesthetics, but rather in their complex dynamics—unwelcoming expressions and body language testifying to the tense nature of our engagement. The portraits are combined with personal testimonies and candid images describing the transformation of my interaction with my subjects and illuminating their lives.

Eighteen is an artistic point of contact serving as an invitation to get closer. A project aimed at reconciliation through understanding and respect. An inside view by one who is typically regarded as an outsider. If I, a Jewish Israeli man, have been accepted and was allowed into my subjects’ personal lives, so can others.

The project was made possible thanks to the generous support of the “Other Israel Film Festival”.

Natan Dvir (b. 1972, Nahariya) is an emerging Israeli artist who examines contemporary human, social, and cultural issues. He received an MBA at Tel Aviv University and an MFA in photography from the School of Visual Arts. He is represented by Polaris Images and his images have appeared in a large number of publications including Newsweek, Glamour, Le Monde, and Stern. His work has been shown in group and solo exhibitions including the Houston Center of Photography and Tel Aviv Museum.

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2 Comments on “Eighteen

  1. Did a brief translation in Chinese so more readers can know of this. If you need it:

    我决定将重点集中在18岁的阿拉伯男子、妇女的身上,这时候是他们生活中的关键转折点 — 他们完成学业,成为法律眼中的成年人,并获得投票权。然而,他们不像犹太的同龄人,大部分都不会加入军事队。

    … …如果我,一个犹太以色列男子,能被我摄影的对象接受,能进入他们的私人生活,其他人也可以得到同样的待遇。

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