After Toni Morrison

 

               But what I want

is to perfect my comedic timing

Someone I know gifted her life to a lover then got

horny from the fear & my

father has a joke about chastity and

the divine urge to procreate. Despite the vanities

of my flesh,

 

I do not want to lose this head

It is my sole inheritance. A sow eating her litter

is fulfilling a mercy & I need my head

to flow in treacherous waters. If you jump too hard

into the river while it melts, your body

will never listen to you

 

again, says the local guide. All water has perfect memory.

All flesh is shapes of water, outlets of pain

clogging with hard want

I have lost the opacity of my body;

in this frost-bitten town, everyone can see through me.

 

The translucence of mud being glass. I come from a place where you need movement to survive. The guide says

some fish are not true fish & my father was

a true Catholic saint. He saw my hand

tight around my penis, he held my palm

over a candle’s flame until it sizzled. Then I woke up

 

& realized I do not care for hell,

nor for the semen slicking down my fingers. It is like

the melt of snow in spring. The rest is mud,

     final rest of all empire. There is death

under this permafrost. Plagues primed for the thaw

 

I do not despise the water

as long as it flows; I need movement to survive

Nor do I spite my father’s head. I bear his shame

          not his cross. I am a true Catholic son.

I want to meet my characters where they’re at:

Debased. Never married. 

Forever childless.

 

Chinaecherem Obor

Chinaecherem Obor is an Igbo writer from Nigeria. He has work out or forthcoming in Mizna, Bellevue Literary Review, PRISM International, and others. He has twice been awarded the Don F. Hendrie Prize for Fiction, was named an honourable mention in the 2024 Bellevue Literary Review's Goldenberg Prize for Fiction, was a fiction finalist in the 2023 Ninth Letter's Regeneration Contest, and was shortlisted for the 2024 Bridport Short Story Prize. His writing has received support from the Vermont Studio Center. He is at work on a magical realist novel about three generations of Nigerian women, inspired by the women he grew up around. He is currently in the final year of his MFA program at the University of Alabama where he was previously fiction editor and currently Editor-in-Chief of Black Warrior Review.

Philipp Eichhorn

Philipp Eichhorn is a South Germany–based artist and designer who has dedicated himself to creating analogue paper collages since 2014. Living and working at the foot of the Black Forest, in the culturally rich border region between Germany, France, and Switzerland, he draws inspiration from this dynamic landscape. Eichhorn’s collages exist in the tension between conceptual clarity and visual irony, characterized by bold contrasts and deliberate juxtapositions. He combines ironic, often ambivalent imagery with structured compositions and architectural forms, generating a dialogue between order and spontaneity. Through the careful layering of diverse analogue materials and stylistic elements, his works achieve moments of friction that give rise to what he calls the “magic” of collage. Guided by intuition rather than formal rules, Eichhorn’s process is exploratory and reflective, allowing his images to evolve organically into compositions that balance precision with playfulness.

www.13mixedmodes.de