The Pilgrim, Courtesy the artist Olawale Ololade

It could be me whose blood is crying. A pestle pounding
a skull in a mortar. It could be my father who is not
coming home tonight. Or sister, who is raped, her breasts
sliced clean, her pubic hair shaved, her body dumped in
a bush near Liberty Stadium. It could be my mother’s
Headless  body  we  gather  around  in  the  morning.
Somewhere, a mother is throwing herself to the ground
in someone’s house. She is screaming, oró ò! the dart of
pain bull’s-eyeing her heart. It could be my ghost finding
the touch of its mother in a house where the doors are
shutting against the portals of grief. I could be coming
through the window as wind.  I  could  be  filling  the
room with cold. I could be whispering I am here and my
mother is not hearing. Weak in her grief, she could be
staring at the wall where my ghost is standing, calling
my name, saying, ọmọ mi dà? Come to mummy. A father
of four intact bodies could be giggling under his breath,
whispering to his friend that wèrè lọ̀ún yà lọ yìí, which
means she is running mad. There is a story of a shovel
filling a body with dust.

Adedayo Agarau

Adedayo Agarau is the author of The Years of Blood, winner of the Poetic Justice Institute Editor’s Prize for BIPOC Writers (Fordham University Press, Fall 2025). He is a Wallace Stegner Fellow ‘25, a Cave Canem Fellow and a 2024 Ruth Lilly-Rosenberg Fellowship finalist. He is the Editor-in-Chief of Agbowó Magazine: A Journal of African Literature and Art and a Poetry Reviews Editor for The Rumpus. He is the author of the chapbooks “Origin of Name” (African Poetry Book Fund, 2020) and “The Arrival of Rain” (Vegetarian Alcoholic Press, 2020).

Olawale Ololade

Olawale Ololade is a Nigerian photographer and visual artist whose work explores the intersection of spirituality, identity, and the human condition. Rooted in storytelling and symbolism, his imagery often evokes the unseen dimensions of everyday life. He has exhibited internationally, including in New York and Florence, and continues to shape conversations around African visual culture through both fine art and editorial work.