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image of a total solar eclipse

Threshold

By Scott Broker
Silhouette of a crowd of people wielding swords against a fiery background, as if to suggest war.

Once Upon a Time

By Natsume Sōseki, translated from Chinese by Ryan Choi
A fly sits on edge of a white flower's petal against a blurry green background.

Kingdom

By Brian Gyamfi

My Mother’s Stalker

By K-Ming Chang

Anna B Scott

Born in 1969 in Iowa City, Iowa, Anna B Scott performs afrofuturist conjurations with dance, digital devices and text, on stage, in blogs, books and through strategic marketing plans. In addition to her training in traditional, collaborative performance from the African Diaspora, Scott holds a Ph.D. in Performance Studies from Northwestern University and is always looking to join the Arkestra. She has been fortunate to collaborate with Thomas DeFrantz, Pat Payne, Ulysses Jenkins, Sheron Wray, Meg Wolfe, Najité, Brian Getnik, and Ritsu Katsumata on an array of performance work. Her work is archived at the Schomburg Center for Research in Black Culture and the J. Paul Getty Museum. She has presented her solo work in traditional and non-traditional spaces around the country including the REDCAT, MIT, Express Yourself Festival in Chicago's Grant Park, Bayview Opera House in San Francisco, and streets around Los Angeles. As a dancer, she has performed for Alassane Kane, Augusto Omolu, Isuara Oliveira, Malonga Casquelorde. She is the artistic director of VISCERA Performance Instigation Troupe. They perform 'high tech' street theater installations, having launched the inaugural performance in the Los Angeles World Airports' and Public Art division of the Department of Cultural Affairs' Ephemeral Art Program with ‘Bout To Get On. She currently collaborates with bigSTORY, an improv troupe for business development and branding, as their movement specialist.
Profile Arts & Culture

John Sims has a Tardis

By Anna B Scott July 22, 2016

The Math Artist speaks about his multi-media project involving the Confederate flag.

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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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