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image of a total solar eclipse

Threshold

By Scott Broker
Silhouette of a crowd of people wielding swords against a fiery background, as if to suggest war.

Once Upon a Time

By Natsume Sōseki, translated from Chinese by Ryan Choi
A fly sits on edge of a white flower's petal against a blurry green background.

Kingdom

By Brian Gyamfi

My Mother’s Stalker

By K-Ming Chang

Jiha Moon

Jiha Moon’s gestural paintings, mixed media, ceramic sculpture, and installations explore fluid identities and the global movement of people and their cultures. Moon (b. 1973) is from DaeGu, Korea, and lives and works in Atlanta, Georgia. She received her MFA from the University of Iowa, Iowa City. She has had solo exhibitions at the Museum of Contemporary Art of Georgia, the Taubman Museum of Art (Roanoke, Virginia), The Mint Museum (Charlotte, North Carolina), and elsewhere. Moon takes cues from wide ranges of Eastern and Western art history; colors and designs from popular culture; Korean temple paintings and folk art; internet emoticons and icons; and fruit stickers and product labels from all over the place. She often teases and changes these lexicons so that they are hard to identify yet stay in a familiar zone.
Follow @JihaMoon
Back DraftInterview Arts & Culture

Back Draft: Jiha Moon

By Jiha Moon May 2, 2022
The artist talks about creating vibrant celebrations of Asian identity in her large yellow paintings.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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