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La Otra Historia

By María Álvarez

If I Say My Body Is Asian Does This Poem Disappear

By Eugenia Leigh

Secret Solitary

By Thomas Bartlett Whitaker

Ketamine

By Bria Adimora Godley

Jillian Steinhauer

Jillian Steinhauer is senior editor of the art blog Hyperallergic and a freelance writer living in Brooklyn.
Commentary Arts & Culture

Hannah Arendt’s Passionate Thinking

By Jillian Steinhauer June 19, 2013

Margarethe von Trotta’s biopic yields an insight that’s fresher than “the banality of evil,” and just as true.

Art Arts & Culture

Best Political Art of 2011

By Jillian Steinhauer December 28, 2011
The American soldiers honored in artist Jane Hammond’s Fallen installation are remembered as individuals instead of as a statistic.
Commentary Justice

In Defense of Youth Activism and the “Like” Button

By Jillian Steinhauer October 23, 2011
Are young people not entitled to political opinions, or do opinions simply not count when they come from anyone under 30?
Commentary Conflict

A Case of “Contagious Shooting”

By Jillian Steinhauer October 3, 2011
How are tightening gun laws and reining in illegal firearms going to solve excessive gun use when uniformed men and women are still legally carrying lethal weapons out in the streets?
Review Lit World

The Elements of F*cking Style

By Jillian Steinhauer September 16, 2011
The “f*cking” in Chris Baker and Jacob Hansen’s The Elements of Style parody is a bit desperate, but any effort to get people to write better and to make grammar sexy seems worthwhile.
Commentary Travel & Adventure

Reach The Skies!

By Jillian Steinhauer August 30, 2011
Digital designer Mike Bodge’s new Web project, N SKY C, allows users to get up close and personal with the colors of the sky.
Review Arts & Culture

Rec Room: Errol Morris’s Tabloid

By Jillian Steinhauer July 18, 2011
Per usual, Morris plays up the humor in an already absurd story…only the end result here is a little disappointing.
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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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