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Female Fighters Rewriting the West Boundaries of Gender Back Draft Cutting Room

On Living Inside The Story: An Interview with Salar Abdoh

By Raaza Jamshed

After Conservation: In Conversation with Dominique Bikaba

By Russell Reed

I Can Imagine It for Us: Mai Serhan on Palestine & the Politics of Storytelling

By Olivia Katrandjian

The October Issue

By The Editors

Marvin George

Marvin George is a teaching-artist interested in performance and popular development. He serves as artistic director of Mount D’or Cultural Performers, is a board member/director for Arts-in-Action, Caribbean Yard Campus, and the Artistic Director at Jouvay Ayiti, all in his native, Trinidad and Tobago. Marvin is a Commonwealth Scholar who holds a BA in Theatre Arts from the University of the West Indies, and an MA in Theatre and Development Studies from Leeds University. Marvin has begun PhD research on a project entitled Mas action: Making mas with development; Making development with mas. He is currently a Lecturer in Drama at the Edna Manley College of the Visual and Performing Arts in Jamaica. To contact the organizers of Jouvay Ayiti email: jouvay.ayiti@gmail.com
http://about.me/marvingeorge
Commentary AmericasConflictHistoryRace

Playing Devil’s Advocate with Mas

By Marvin George October 12, 2015

This Columbus Day, a Caribbean carnival arts collective invokes the deeper principles behind Carnival masquerades to create social change.

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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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