An Iranian in Paris
December 20, 2013
Asghar Farhadi’s The Past raises questions about what makes a film Iranian and how we should treat that category in the first place
Tina Hassannia
Tina Hassannia is a freelance writer and film critic in Toronto. She has written for Slant, Reverse Shot, Keyframe, Little White Lies, Maisonneuve and Grolsch Film Works.