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How to Wash Your Hands in a War Zone

By Gillian Esquivia-Cohen

Stitching and Writing on the Margin

By Roslyn Bernstein

The Requirement of Adequacy

Fiction by Emily Franklin

Maurice Chammah: The Rise and Fall of the Death Penalty

By Ann Neumann

Tina Hassannia

Tina Hassannia is a freelance writer and film critic in Toronto. She has written for Slant, Reverse Shot, Keyframe, Little White Lies, Maisonneuve and Grolsch Film Works.
Review Arts & CultureMENA

An Iranian in Paris

By Tina Hassannia December 20, 2013

Asghar Farhadi’s The Past raises questions about what makes a film Iranian and how we should treat that category in the first place

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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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