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In the Land of Fiction and Fake News

By Elizabeth Mitchell

Lost for Words

By Stewart L. Sinclair

Poem About Human Habits of Consumption That Begins with Contemplating the Walnut in My Yard

Poetry by Felicia Zamora

Back Draft: Lisa Dillman

By Ben Purkert and Lisa Dillman

Tomas Hachard

Tomas Hachard writes film reviews for The L Magazine and has also written for The Rumpus, The Millions, and The New York Times's "6th Floor Blog," among others. You can follow him on Twitter: @thachard.
https://tomashachard.wordpress.com/
Follow @https://twitter.com/thachard?lang=en
Review Arts & CultureRaceUSA

Against Closure

By Tomas Hachard October 21, 2013

How Steve McQueen's 12 Years a Slave accomplishes what other films have not.

Interview Arts & CultureUSA

Sherwin Bitsui: Sounds Like Water

By Tomas Hachard June 21, 2013

Tomas Hachard talks with the award-winning poet about 'border poetry,' cultural access, and the politics of writing about nature.

Commentary Arts & CultureClassUSA

Rose-Colored Doom

By Tomas Hachard July 27, 2012

Beasts of the Southern Wild's dark current.

Commentary Conflict

The Red Ink

By Tomas Hachard June 4, 2012

What happens when censorship becomes an artistic device?

Commentary Arts & CulturePolitics

At the End of the Arc

By Tomas Hachard May 17, 2012

Kelly Reichardt's Oregon Trilogy, screening at the Whitney's Biennial, explores the thin lines between hope and loss, sorrow and joy, the America we've got and the one we could have had.

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Guernica

Guernica is a non-profit magazine dedicated to global art and politics, published online since 2004. With contributors from every continent and at every stage of their careers, we are a home for singular voices, incisive ideas, and critical questions.

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