“Remémorer” by Jérémie Guiguen

Mine eye and heart are

–William Shakespeare, sonnet xlvi

 

I don’t know how to write

a poem about being Karelian.

 

There is no history.  When I was

near the Russian border, I tried

 

to do a search about Karelia

and got hacked.  I think of axes

 

and mass graves and history.

I think of absence, which is

 

hard to picture: nothingness.

I want to tell you about Karelia,

 

but there are no poems about

Karelia.  There are no Karelians

 

in those lack of poems.  I’ll look

at photos of the mass graves

 

online sometimes and find

they’re so hard to find.  They tell

 

me there are less than a thousand

people in the world with my last

 

name.  In the U.S., there are almost

three million people named Smith.

 

I have no children.  The V.A.

counselor told me my life expectancy

 

would only be about one more year,

but that’s only if I wasn’t going to

 

counseling.  She told me I have

nearly the same life expectancy

 

as everyone else with the counseling.

Why? I ask.  Guns, she says.  We

 

are quiet in the closet-y V.A. room.

I think of our two-word interaction.

 

Nothing makes sense in this world.

There are more than 5,000 buried

 

at Sandarmokh.  There are no poems

anywhere in the world about anything.

Ron Riekki

Ron Riekki has been awarded a 2014 Michigan Notable Book, 2015 The Best Small Fictions, 2016 Shenandoah Fiction Prize, 2016 IPPY Award, 2019 Red Rock Film Fest Award, 2019 Best of the Net finalist, 2019 Très Court International Film Festival Audience Award and Grand Prix, 2020 Dracula Film Festival Vladutz Trophy, 2020 Rhysling Anthology inclusion, and 2022 Pushcart Prize.  

Jérémie Guiguen

" My name is Jérémie Guiguen; I am a French artist, drawing teacher, and art therapist based in Paris. I have always been fascinated in humans, their psychology, and their vulnerability/fragility, both through the lens of my own feelings and those of others. This is what inspired me to help and support people through art. In my artistic work, I have been able to explore my personal questions and sufferings or also memory, nostalgia, erasure and alteration. At that time, I drew inspiration from my own photos to create my drawings. After a period when I was less productive, I resumed my artistic practice with a new production that remains in continuity with my past projects. I’m moving away from more intimate visuals to make room for a new form of aestheticism and realism. I use sculpted figurations and am trying to create a metaphorical composition with various effects but in common style. I always talk about personal questions, intimate and universal sufferings, and also mental health; I question our reality in a poetic way."