“Chapter B Drawing F” from series 'Nothing, Nowhere, Nowhen' An Aginstory by Mike Blackman

“This I do vow, and this shall ever be:”

–William Shakespeare, sonnet cxxiii

 

it was for tradition and it was for

extradition and it was for excess

and it was for nothingness and it

was for hazing and it was for haze

and it was for days when they’d tie

us to the fence and this was when

we were in the military and this

was when we weren’t in the military,

because when you get out you never

get out, because the fence is in us

and I never tied anyone to the fence

and the VES counselor jots this

down and I’m glad she jots this

down, because I am glad I never

tied anyone to the fence, no, I am

alive because I never tied anyone

to the fence, meaning I would have

killed myself if I’d have tied anyone

to the fence and I fought from being

tied to the fence and my disability

rating was just upped to seventy

percent because of the fight from

being tied to the fence, but either

way they have to take something

from you, whether or not they tie

you to the fence, and I spoke with

a survivor of torture who told me

the worst part wasn’t the torture

but was seeing others being tortured

and I think of seeing others tied

to the fence and the V.A. doctor

tells me one word, saying, torture,

after I told him what they did to us

or did to me or tried to do to me

or tried to try me or the one who

died during the hazing, just one,

and I think of him and he was

the same age as me, a teen, how

we were children then, really,

and a V.A. counselor told me

that when she deals with vets,

she treats it as child abuse, and

she said it’s because of how

young we were, and I think

of ‘we’ and I think of ‘fence’

and I think of ‘walls’ and I

think of ‘borders’ and I think

of ‘order’ and I think of ‘gas

masks’ and I think of ‘tied’

and I think of there being no

winner, and this was done

during desert winter, and was

done by people on our side

and I was more afraid of our

side than I was of the ‘other’

side and I was more afraid

of our side and when you

were tied to the fence, you

had all of these hours to just

think of how you volunteered

for this and you had all of these

flies on you to think of how

hot the sun is and you had all

of these sunburns to thank of

all of these erasers and you

have all of these tremors now

in your insomnia where you lie

on your bed and you think of

lying on fence and you think of

jungle or tropical or tundra of skin

and you think of their hands all

on your body and you think of

how kidnapping, legally, you

heard was taking a person more

than twenty-three feet against

their will and you don’t know

if this is true, but you know

the bodies were taken a half

of a football field at least out

to the fence and they’d duct

tape you to your chair, come

up from behind you, and this

was done for fun and this was

done for punishment and this

was done for boredom and this

was done for bonding and this

was done for bondage and this

was done forever and this was

done for everyone who was

stationed on the night shift,

because they only came at night,

or just before night, or on the week-

ends, or on holidays, when there

were less people there, when you

felt there was more safety, but

there wasn’t, because the fence

was there on Christmas and, yes,

the fence was there on Easter,

and, yes, it actually was called

‘crucifixion,’ what was done

to us, and this is all I have to say,

except to add that I could not speak

for years, except to add that I could

not feel fence for decades, except I

take ten showers per day, trying

to clean off the old rotten food

they poured on us, that I watched

poured on others, because they’d

make you watch, because skin

is inconvenience and my harsh

voice comes from the yelling for

help that makes me wake me, partners

leaving, the ghosts boring, the sky

wearing its belt, the darkness boring,

the E-4s hovering, the shadows bring

the inability to have laws on the other

side of the earth, how we were doing

bombings at the same time, and we

were doing bombings at the same time,

now we were doing bombings at the same

time as our wrists were kissing metal

with the passions of the dead.  

 

Ron Riekki

Ron Riekki has been awarded a 2014 Michigan Notable Book, 2015 The Best Small Fictions, 2016 Shenandoah Fiction Prize, 2016 IPPY Award, 2019 Red Rock Film Fest Award, 2019 Best of the Net finalist, 2019 Très Court International Film Festival Audience Award and Grand Prix, 2020 Dracula Film Festival Vladutz Trophy, 2020 Rhysling Anthology inclusion, and 2022 Pushcart Prize.  

Mike Blackman

Mike Blackman, an Arts Council England and Braziers International Artists Workshop Fellow, has exhibited in the UK, Latvia and Sweden. His current work is primarily focussed on drawings and paintings which take cues from generative technology but reflect a very human psyche . Blackman received his BA in Visual Studies (Fine Art) from University of Portsmouth in 1996 and an MSc in software engineering in 2007. Blackman is a long term member of Art Space Portsmouth where he holds a studio . He works as a commercial web developer alongside his artistic practice.