Notes from a Hypochondriac
The age of COVID-19 has a way of heightening our anxieties, though that doesn’t mean they’re new.
The age of COVID-19 has a way of heightening our anxieties, though that doesn’t mean they’re new.
Two writers discuss the “apocalyptic imagination,” finding connection through loss, and the liminality and fragility of the borderlands.
https://www.guernicamag.com/beth-alvarado-grieving-in-dreams/
Hwang Sok-yong’s fictions delve into Korean class dynamics.
https://www.guernicamag.com/a-country-on-the-cusp-of-change/
What if the world can “end,” as your life has many times—and then begin again?
What does it mean to graduate / your way through the world?
By the time the war spilled over into the third country after a year, Oleg, like everyone else, was already inured to the gruesome news.
Walt Whitman’s boundless self persists, even 128 years after his death.
A spell is most effective when you want something and can remember a time it already existed.
https://www.guernicamag.com/medusa-and-the-invention-of-spells/
“Don’t take chances,” he said. “Given your history.” But chances, not history, are what we’re given.
The two writers and friends discuss the uses and abuses of nostalgia, cynicism, and trauma porn—and how their new books reflect their experiences of the AIDS crisis.
https://www.guernicamag.com/mark-bibbins-and-paul-lisicky-sooner-or-later/
I was unpacking dishes when it came back to me. It was so vivid in my mind and it stunned me so much that I lost my grip and dropped a plate.
Sebastian Meyer and Kamaran Najm co-founded a photo agency in Iraq and teamed up to document a new era in Kurdistan, a region with a long history of suffering. Until Kamaran was captured by ISIS.
What the 19th century American pragmatist William James can teach us in the age of coronavirus.
https://www.guernicamag.com/from-environmental-crisis-to-pandemic-waging-a-war-with-nature/
Hope sustains the migrants living in a camp in Matamoros, Mexico, but everything is tainted by despair.
The political journalist on the timidity of liberal foundations, the peril of ignoring local reporting, and whether organizers have succeeded where party politics has failed.
https://www.guernicamag.com/meaghan-winter-progressives-cant-give-up-on-the-states/
Hilary Leichter’s destabilizing debut novel imagines a productivity-centric dystopia, not far off.
https://www.guernicamag.com/when-all-is-temporary-nothing-to-hold-onto/
We are disappearing into / the map’s folds. Small birds. Smaller ones.
https://www.guernicamag.com/hurricanes-with-the-names-of-my-friends/
The political theorist argues that those whose worlds have been destroyed by five centuries of imperialism have the right to live near the objects that have been plundered from their culture.
https://www.guernicamag.com/miscellaneous-files-ariella-aisha-azoulay/
A look back at Kirsten Bakis’s 1997 novel Lives of the Monster Dogs
The acclaimed writer and graphic novelist on the importance of owning your shame.
https://www.guernicamag.com/mira-jacob-im-not-going-to-hold-it-for-you/
The doctor talked about the operation: “Major surgery, but the techniques are well understood.” He spelled out the risks: 80 percent success rate.
A trans author reflects on the fraught history of trans women’s memoir covers, and why she didn’t want her likeness on her own.
Jean-Baptiste Del Amo’s Animalia, and naturalism after nature.
Despite the warning not to get attached, I confess that I do have a favorite Keith.
The author of Weather talks about confronting dread, navigating hope, and how to not write a bad book about climate change.
The flat earth community has been on a fast, upward climb.
In Jeet Thayil’s newest novel, the Narcopolis narrator returns to a transformed Bombay, in search of oblivion.
The writer embraces menopause, matriarchy, and the language of the body.
https://www.guernicamag.com/darcey-steinke-how-to-be-in-a-body/
How the rise of the #Chiledespertó movement has created space to discuss the country’s whitewashed constitution.
making room for the night sky / the dead try on
https://www.guernicamag.com/you-button-this-coat-as-if-one-sleeve/
Beneath or beyond the performances lay the fascination of the shadow-world itself, with its hiddenness, its refusal of color, its indifference to familiar effects of visual precision and detail.
Amid chaos, repression, and violence, one woman flees Boko Haram; another seeks it out.
The translator on being drawn to Homer, and the timelessness of toxic masculinity.
The author of The Third Rainbow Girl on internalizing shame, creating healing, and scrambling gender in a place where “the earth loves you and also wants to kill you.”
https://www.guernicamag.com/emma-eisenberg-holding-contradiction/
Family heartache on the northern New York border, and the creatures that bore witness to it.
The public-health researcher and author of The Pleasure Gap on the medicalization of women’s sexuality, the politics of “faking it,” and why female desire “inspires panic and fascination.”
https://www.guernicamag.com/katherine-rowland-the-force-of-womens-longing/
Baggage and beauty in Brandon Taylor’s novel Real Life
How about adopting a fully grown girl? Says a broken-headed doll.
Here I am at graduation, lifting a leg under the white gown of purity, to show off a new pump.
The author of American Dirt has begun to claim her Puerto Rican heritage. But when the island needed her, she was busy writing an exploitative tale about Mexico.
https://www.guernicamag.com/what-about-your-grandmother-jeanine/
On the particular braiding of grief and nostalgia that animates the poet-slash-critic’s work.
https://www.guernicamag.com/hanif-abdurraqib-and-the-performance-of-grief/
On work, idealism, and Anna Wiener’s Uncanny Valley.
A polar scientist and a heavy-metal band depict global climatic dystopia.
When Major League Soccer pretends everything is fine, everyone loses.
In the battle for hockey’s future, it’s a question of #grit vs. Gritty.
https://www.guernicamag.com/a-cold-white-sport-in-a-warming-world/
Loyalty, loss, and local fandom, from New Orleans to New York City.
The real reason every one of them backed away, scared shitless, was because of her hard, black nipples. Her nipples were more terrifying than the curses her mouth spewed or the fire in her eyes.
A review of Living in a World That Can’t Be Fixed by Curtis White
https://www.guernicamag.com/the-impertinence-of-counterculture/
Emilio looked prophetic for a moment. He held up his forefinger like he was shushing me and I thought he was pointing to the sky to tell me, God will provide. But then he just shrugged and scratched his scalp. “Soy is pretty nutritious,” he told me.
there’s so much of it, this night
And my life went on like that: people coming and going, valuable things left in a hurry.
In the dark nights after long days, the music gave our fathers something to cling to.
https://www.guernicamag.com/with-jazz-on-the-turntable-and-a-drink-in-his-hand/
Using archival photos, excerpts from language courses, and eBay finds, the author and critic explains how she mines mistakes for discoveries.
https://www.guernicamag.com/miscellaneous-files-namwali-serpell/
Lately, I’ve found the language of apocalypse creeping up in my own life for the first time, and with increasing frequency.
Much later, after everything that happened, Frank no longer found much pleasure in the Great Books—he suspected they mocked him, that they, in a way, had written his own downfall, his own eventual exile.
Perrine and Noah are hungry. But they don’t know how to wring a chicken’s neck, how to empty out its innards and pluck it.
I went to the doctor and found out / there is an empty city inside me.
Who have I been? I am an ordinary man, but would my past, put down on paper, make me look cruel?
The phrase needn’t always conjure fear.
One night, when he was seven or eight, she read her son a story from a book called These Bad Things. It was surprisingly scary, and she knew she should stop, but they were so far in. She wanted to see how it ended.
I lean my open neck against yours. / The miracle always returns with a hunger.
The writer on intimate partner violence and the forces that made it a hard story to tell.
https://www.guernicamag.com/carmen-maria-machado-i-speak-into-the-silence/
While I am texting the man who is not my husband, bacteria is growing inside the bodies of my daughter and her best friend.
https://www.guernicamag.com/the-ways-we-take-ourselves-apart/
It’s possible, even likely, that somehow all of us, even those among us who pay close attention, have missed something.
I shouldn’t leave her alone in the trailer with the dachshund when she’s just threatened to kill him, but I can’t stay; I just can’t. I push past her, out the door, keys still in hand, and start to drive.
The real threat to free speech on campus isn’t what you think.
https://www.guernicamag.com/anatomy-of-a-successful-campus-talk/
Caring for a dying patient, a pediatrician wrestles with questions of suffering and salvation.
you will open your wounds / and make them a garden
Marie NDiaye’s new novel, The Cheffe, is an ode to wasted love.
https://www.guernicamag.com/everything-hiding-the-secret-of-its-taste/
The editor of Burn It Down talks about the stabilizing benefits of women’s anger, the slow pace of change, and why it’s important to take up space on the subway.
https://www.guernicamag.com/lilly-dancyger-there-are-so-many-different-ways-to-be-angry/
Finding love and making peace with impermanence, with a little help from some sunflowers.
The author and activist on gallows humor, the need to tell stories, and helping communities thrive.
you know how to pull down a tree / with only your teeth
A slow-burning epic, On Swift Horses paints a new picture of our American mythology.
https://www.guernicamag.com/shannon-pufahl-queering-the-western/
The Gah Men were from the island. They were at once of the people, but not the people. The Gah Men used their Oxbridge training on one hand, earnest rabble-rousing speeches on the other, to broker a deal with the Ang Mohs.
What I learned—and didn’t—from living with a jazz legend.
The novelist on writing as activism, mislabeling monsters, and the healing power of imagination.
https://www.guernicamag.com/rene-denfeld-what-happens-after-the-trauma/
The poet talks about his latest book, the economic forces at work behind social media, and the stuffed animals in his life.
“Past their prime,” my mother says, shaking her head at pears forgotten on the kitchen counter, turning to rot.
https://www.guernicamag.com/turning-unfolding-passing-through/
She must have fallen asleep after all, in these first weeks, and the boy was gone. The baby in the car was an imposter. Like she was.
The poet on growing up around storytellers, understanding the charming trickster, and acknowledging women’s trauma.
https://www.guernicamag.com/diana-marie-delgado-the-germ-of-someone/
In an excerpt from his new book of essays, Some of Us Are Very Hungry Now, Andre Perry discusses race, identity, moving around the US, and the Midwest.
Since you died a thousand birds / have daily flown through me
Colombian artist Ruby Rumié confronts domestic violence.
On the remote border between Afghanistan and Iran, an enigmatic smuggler makes a living selling hope.
The writer discusses the complexity of migrants’ lives in a world that demands their simplicity.
https://www.guernicamag.com/dina-nayeri-the-craft-of-writing-the-truth-about-refugees/
The wind was rushing past the tower so hard they were sure it would fall. That’s the fate of all towers, after all, to fall.
What could gender, sex toys, rodents, and climate change possibly have in common?
The book said “Let’s talk about your new-found liberation” and I wrote “Fuck men” and the book said “Elaborate please” so I wrote “My whole life I’ve been shaping myself around boys and men” and then the book said “Show your work” so I did.
A young writer discovers her grandmother’s literary secret.
https://www.guernicamag.com/translation-and-the-family-of-things/
In her new book, Ptacin goes deep with mediums and clairvoyants, and embraces the unknown.
https://www.guernicamag.com/mira-ptacin-what-does-it-feel-like-to-have-a-ghost-in-the-room/
The discourse around the #MeToo movement doesn’t always reflect the realities of living with trauma.
I may be sixty-two, but I wish I could steal a car for you.
Parsons’ short fiction debut Black Light isn’t afraid of the dark.
https://www.guernicamag.com/kimberly-king-parsons-humor-is-an-antidote-to-dread/
How Hurricane Katrina and the murder of Emmett Till shaped one woman’s commitment to climate justice
The poet discusses chasing butterflies, and the perpetual relevance of political verse.
I was out in the front garden weeding between the about-to-bloom tiger lilies the first time I saw them. Four girls in bathing suits and flip-flops, their mouths popsicle red and Italian-ice blue.
https://www.guernicamag.com/the-girl-gangs-of-pacific-avenue/
Experts in art, writing, journalism, and policy discuss why climate change is the biggest story of our time.
https://www.guernicamag.com/four-storytellers-tackle-climate-change/
The award-winning writer on editing his first anthology, horror versus sci-fi, and the American tradition of voter suppression.
https://www.guernicamag.com/victor-lavalle-imagine-downton-abbey-but-with-smells/
My daughter was five days old when I realized the love I had for her would fall short.