Growing Up Sansei in LA
As we moved through different neighborhoods, my family stayed in a Japanese American bubble.
As we moved through different neighborhoods, my family stayed in a Japanese American bubble.
The sweaters my grandmother made hung loose, so I could grow into them.
Soft fabric shoes plus a large crowd equaled a big mistake. They were ruined by the end of the day.
She wore an electric blue wig and what I can only describe as a blue thong over fishnets.
I guess I wore that shirt a lot, though I never really thought of it as my favorite shirt.
The unitard is a portal to existing only and fully inside myself.
Where stakes are the highest, the shirts are called on to perform their very best.
I miss standing in them, stomping in them, and walking with that delectable intent.
It sits high on my waist and pairs well with low heels.
It’s the intricately hand-woven type, in purple, with generous gold accents to match her lace.
The pants were so extraordinarily bad that they transcended to a new category, becoming, in the process, a wardrobe staple.
It was appliqued in black linen, with a pattern to rival the Chrysler Building.
The leisurewear was an attempt to subvert the nothingness by disappearing into it before it arrived.
It was beautiful, to be sure, it just wasn’t what I imagined. I felt like my hat was crying.
Considering the sentimental, contradictory, and inescapable relationships we have with what we wear.
Sylvana Simons, Rosebell Kagumire, and Amanda Adé use their tweets, screenshots, and Instagram videos to discuss how a time of momentous change has transformed their work.
https://www.guernicamag.com/miscellaneous-files-racial-justice-simons-kagumire-ade/
Of course we could begin / with the moon, so famous
Cat Brooks and Eric Ward use screenshots of Zoom-meetings, resource manuals, and policy proposals to discuss how this time of momentous change has transformed their activism.
https://www.guernicamag.com/miscellaneous-files-racial-justice-brooks-ward/
Laura Aguilar’s Southern California photography reveals the intimacy and the isolation that have always been part of the fabric of Los Angeles.
“They’re on strike against an institution which has subordinated them, underestimated them, and undereducated them.”
If my daughter remembers anything from this time, it will be the waiting.
How a mother’s journal revealed the woman I never knew
National Grid’s North Brooklyn pipeline will funnel fracked gas through largely low-income neighborhoods of color. Can it be stopped?
Voices from two weeks of Black Lives Matter protests in New York.
On one of her monthly brownie runs, my mom caught her first glimpse of the monster coming our way.
After a series of hurricanes ravages one Central Florida neighborhood, three kids consider home, change, and the efficacy of destruction.
The writer on taking control of her narrative, her telepathic connection to Stephen Miller, and the army of mutants.
“Kids with more resources are adjusting well. Others have collapsed into themselves.”
https://www.guernicamag.com/how-three-school-social-workers-do-their-jobs-in-a-pandemic/
I winced with fear and a fleeting disgust. A relationship with a woman meant failure: I had failed to get a man, failed to find something normal, failed to not be pathetic.
Striving for goodness is antithetical to reckoning with whiteness.
On the train, I scoured online listings for wedding dresses, and e-mailed the sellers. Shotgun wedding, I joked.
Eight writers discuss drinking during lockdown.
Using photos of his text editors, mapmaking software, and 3D-printed prototypes, the writer talks about technology, myth, and telling stories during a pandemic.
The writer and editor on resisting the expectations for minority voices, her French-inflected prose, and the complications that make life worthwhile.
In the absence of travel, what is a travel writer to do?
On John Washington’s The Dispossessed: A Story of Asylum at the US-Mexican Border and Beyond
https://www.guernicamag.com/you-shall-also-love-the-stranger/
in art / there are so many more endings / that we can’t even imagine it.
Remembering an American girlhood.
To be on the receiving end of her lateness felt like betrayal.
As we navigate life during COVID-19, science doesn’t have all the answers. But queer theory might.
https://www.guernicamag.com/the-future-in-catastrophic-times/
A debut novel reminds us that the earth itself is alive, and that even in our isolation we are members of a changing world.
https://www.guernicamag.com/latitudes-of-longing-an-epic-of-ghosts-and-glaciers/
When my father’s death dissolved my life’s plot, I could only cling to someone else’s story.
https://www.guernicamag.com/surprised-by-grief-soothed-by-korean-television-drama/
father is everything but a good snake / charmer.
https://www.guernicamag.com/good-friday-or-second-nocturne-with-the-invisible-shepherd/
To the school’s auditorium, the woman brought liters of Gatorade®, stowing them in her backpack the way a cosmonaut might carry extra air tanks.
The novelist and memoirist discusses generational trauma, developing compassion for oneself, and feeling empowered by choice.
https://www.guernicamag.com/stephanie-danler-empowered-by-choice/
A younger boy swore he’d seen one of the pigs standing on its hind legs, peering through his trailer window.
https://www.guernicamag.com/fear-in-the-time-of-the-javelina/
Living with chronic illness in the midst of a pandemic requires a new map.
https://www.guernicamag.com/will-covid-19-strengthen-our-bonds/
Reflections on closing borders, and the propensity of the world to change.
These days, every day is the same: I play with my three-year-old neighbor. At night, I call the hospital. Before I go to bed, I upload my photos.
The day of the bombings, July seventh, Seven-Seven, a day of doubles, Gavin Thomas, the fund researcher, had been unharried.
All of us touching our faces, touching habitats, dislodging species.
The novelist discusses the shape of a narrative, and the value of retyping.
The Cuban revolutionary Celia Sánchez remains an enigma, despite, or because of, her place at Castro’s side.
“It’s quite a lot of sadness, in realizing that everything you love about the world is falling to pieces.”
“At times when the outside world’s facts—or the heart’s facts—seem immovable, words still can move.”
The author unpacks the archival finds and emotional reckonings behind a novel that took her 12 years to write.
In books and movies we’ve imagined it would take a gruesome virus to push working people to the edge. In reality, late capitalism is enough.
https://www.guernicamag.com/the-pandemic-novelist-has-regrets/
He didn’t see the flares / because our dreams are limitless.
The shed is dark except for the triangle of dusty sunlight that reaches through the crooked doorway. You and Adam are huddled in the back, breathing hard. Notice the dark: darker than the empty baseball fields in moonless winter; darker than sleep.
Photos of Earth taken from space can teach us about how we think—about our home planet, and its place in the universe.
https://www.guernicamag.com/astrophotography-and-the-zeitgeist/
The poet and critic on “coalitional writing,” upending the avant-garde, and Asian American identities.
https://www.guernicamag.com/cathy-park-hong-im-so-sick-of-the-fact-that-its-not-changing/
A dynamic new generation of Palestinian and Druze women artists is coming up in Israel.
I never knew my uncle. But it’s the absence of inquiry that feels most disquieting.
A review of The Crying Book by Heather Christle
Light! Light! I hear her calling when she’s a block away as if she’s a monger of light.
What little conversation there was in our cell had mostly to do with who might have called the cops.
Garth Greenwell’s Cleanness is consciously, cannily, canonical.
https://www.guernicamag.com/the-porous-boundaries-of-longing/
America’s fetishization of reproductive risk is driving mothers mad.
It is now mostly unclear why I thought it was a good idea to bring Dolly Parton’s Greatest Hits to school with me.
The age of COVID-19 has a way of heightening our anxieties, though that doesn’t mean they’re new.
Two writers discuss the “apocalyptic imagination,” finding connection through loss, and the liminality and fragility of the borderlands.
https://www.guernicamag.com/beth-alvarado-grieving-in-dreams/
Hwang Sok-yong’s fictions delve into Korean class dynamics.
https://www.guernicamag.com/a-country-on-the-cusp-of-change/
What if the world can “end,” as your life has many times—and then begin again?
What does it mean to graduate / your way through the world?
By the time the war spilled over into the third country after a year, Oleg, like everyone else, was already inured to the gruesome news.
Walt Whitman’s boundless self persists, even 128 years after his death.
A spell is most effective when you want something and can remember a time it already existed.
https://www.guernicamag.com/medusa-and-the-invention-of-spells/
“Don’t take chances,” he said. “Given your history.” But chances, not history, are what we’re given.
The two writers and friends discuss the uses and abuses of nostalgia, cynicism, and trauma porn—and how their new books reflect their experiences of the AIDS crisis.
https://www.guernicamag.com/mark-bibbins-and-paul-lisicky-sooner-or-later/
I was unpacking dishes when it came back to me. It was so vivid in my mind and it stunned me so much that I lost my grip and dropped a plate.
Sebastian Meyer and Kamaran Najm co-founded a photo agency in Iraq and teamed up to document a new era in Kurdistan, a region with a long history of suffering. Until Kamaran was captured by ISIS.
What the 19th century American pragmatist William James can teach us in the age of coronavirus.
https://www.guernicamag.com/from-environmental-crisis-to-pandemic-waging-a-war-with-nature/
Hope sustains the migrants living in a camp in Matamoros, Mexico, but everything is tainted by despair.
The political journalist on the timidity of liberal foundations, the peril of ignoring local reporting, and whether organizers have succeeded where party politics has failed.
https://www.guernicamag.com/meaghan-winter-progressives-cant-give-up-on-the-states/
Hilary Leichter’s destabilizing debut novel imagines a productivity-centric dystopia, not far off.
https://www.guernicamag.com/when-all-is-temporary-nothing-to-hold-onto/
We are disappearing into / the map’s folds. Small birds. Smaller ones.
https://www.guernicamag.com/hurricanes-with-the-names-of-my-friends/
The political theorist argues that those whose worlds have been destroyed by five centuries of imperialism have the right to live near the objects that have been plundered from their culture.
https://www.guernicamag.com/miscellaneous-files-ariella-aisha-azoulay/
A look back at Kirsten Bakis’s 1997 novel Lives of the Monster Dogs
The acclaimed writer and graphic novelist on the importance of owning your shame.
https://www.guernicamag.com/mira-jacob-im-not-going-to-hold-it-for-you/
The doctor talked about the operation: “Major surgery, but the techniques are well understood.” He spelled out the risks: 80 percent success rate.
A trans author reflects on the fraught history of trans women’s memoir covers, and why she didn’t want her likeness on her own.
Jean-Baptiste Del Amo’s Animalia, and naturalism after nature.
Despite the warning not to get attached, I confess that I do have a favorite Keith.
The author of Weather talks about confronting dread, navigating hope, and how to not write a bad book about climate change.
The flat earth community has been on a fast, upward climb.
In Jeet Thayil’s newest novel, the Narcopolis narrator returns to a transformed Bombay, in search of oblivion.
The writer embraces menopause, matriarchy, and the language of the body.
https://www.guernicamag.com/darcey-steinke-how-to-be-in-a-body/
How the rise of the #Chiledespertó movement has created space to discuss the country’s whitewashed constitution.
making room for the night sky / the dead try on
https://www.guernicamag.com/you-button-this-coat-as-if-one-sleeve/
Beneath or beyond the performances lay the fascination of the shadow-world itself, with its hiddenness, its refusal of color, its indifference to familiar effects of visual precision and detail.